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  • Tate Modern

    Friday, May 11, 2007
















    The Artist's Dining Room
    Anselm Reyle Manfred Kuttner Thomas Scheibitz




    2 March - 4 June 2007





    Click to see a larger version of the image



    Anselm Reyle



    Untitled, 2006



    Mixed media on canvas, acrylic glass



    Courtesy the artist



    © Anselm Reyle



    enlarge


    The Artist’s Dining Room brings together three German artists

    working within the tradition of abstraction. The two younger artists, Anselm

    Reyle and Thomas Scheibitz, are currently significant figures on the international

    art scene, while Manfred Kuttner is an artist who was active in the 1960s,

    and whose work, overlooked for many years, is now being reappraised.









    All three artists move effortlessly between painting and sculpture, with

    an eclectic approach to both form and materials. They play with optical illusions,

    shifting perspectives, tricks of the light, mirrors and reflections, often

    using new technology, (whether it is the latest developments in paint or

    digital image manipulation) to reinvigorate familiar forms.









    The title of the exhibition, The Artist’s Dining Room, is taken

    from a work by Pablo Picasso from 1918. Though it is an abstract composition,

    it also refers to the importance of the domestic and personal realm underlying

    an artist’s work. The choice of title is intended to remind us of a key moment

    in the history of European Modernism, while pointing to the way in which

    the artists exhibited here sample and reference the past.









    The Artist’s Dining Room is the third in

    a series of five thematic exhibitions located in Level 2 Gallery, Tate

    Modern’s dedicated space for the latest ideas, themes and trends in

    international contemporary art. The 2006-7 series is conceived and led

    by Emma Dexter, Curator, Tate Modern. The

    Artist’s Dining Room
    is curated by Emma Dexter and Juliet Bingham, Assistant Curator, Tate Modern.






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    Posted by Paul Cooklin 1:06 AM