Modern Art Blog & Portfolio Updates

This modern art blog features the latest additions to Paul Cooklin's growing portfolio of photography and digital imagery along with works in progress, new technologies available to artists and collectors plus general art and design news.

Images are available to buy as prints on various mediums. To purchase a license to use an image for commercial or personal use, please visit the portfolio and select an image to view the license agreement. Digital illustrations have a Royalty Free license, photographs have a Rights Managed license. To receive updates by email, simply subscribe below. Feel free to contribute to the Blog and leave comments.


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    Tuesday, May 29, 2007


    722 - "Velocity" v1

    722 - "Velocity" v1, originally uploaded by Paul Cooklin.

     
    Posted by Paul Cooklin 11:04 AM


    Saturday, May 12, 2007


    _MG_4889

    _MG_4889, originally uploaded by Paul Cooklin.

     
    Posted by Paul Cooklin 12:42 AM



    _MG_4886

    _MG_4886, originally uploaded by Paul Cooklin.

     
    Posted by Paul Cooklin 12:42 AM



    _MG_4885

    _MG_4885, originally uploaded by Paul Cooklin.

     
    Posted by Paul Cooklin 12:42 AM



    _MG_4887 - Classic

    _MG_4887, originally uploaded by Paul Cooklin.

     
    Posted by Paul Cooklin 12:41 AM



    _MG_4888 - Classic

    _MG_4888, originally uploaded by Paul Cooklin.

     
    Posted by Paul Cooklin 12:41 AM



    _MG_4890 - Classic

    _MG_4890, originally uploaded by Paul Cooklin.

     
    Posted by Paul Cooklin 12:40 AM


    Friday, May 11, 2007


    _MG_5226 - Depth of Field

    _MG_5226, originally uploaded by Paul Cooklin.

     
    Posted by Paul Cooklin 7:03 PM



    Tate Modern
















    The Artist's Dining Room
    Anselm Reyle Manfred Kuttner Thomas Scheibitz




    2 March - 4 June 2007





    Click to see a larger version of the image



    Anselm Reyle



    Untitled, 2006



    Mixed media on canvas, acrylic glass



    Courtesy the artist



    © Anselm Reyle



    enlarge


    The Artist’s Dining Room brings together three German artists

    working within the tradition of abstraction. The two younger artists, Anselm

    Reyle and Thomas Scheibitz, are currently significant figures on the international

    art scene, while Manfred Kuttner is an artist who was active in the 1960s,

    and whose work, overlooked for many years, is now being reappraised.









    All three artists move effortlessly between painting and sculpture, with

    an eclectic approach to both form and materials. They play with optical illusions,

    shifting perspectives, tricks of the light, mirrors and reflections, often

    using new technology, (whether it is the latest developments in paint or

    digital image manipulation) to reinvigorate familiar forms.









    The title of the exhibition, The Artist’s Dining Room, is taken

    from a work by Pablo Picasso from 1918. Though it is an abstract composition,

    it also refers to the importance of the domestic and personal realm underlying

    an artist’s work. The choice of title is intended to remind us of a key moment

    in the history of European Modernism, while pointing to the way in which

    the artists exhibited here sample and reference the past.









    The Artist’s Dining Room is the third in

    a series of five thematic exhibitions located in Level 2 Gallery, Tate

    Modern’s dedicated space for the latest ideas, themes and trends in

    international contemporary art. The 2006-7 series is conceived and led

    by Emma Dexter, Curator, Tate Modern. The

    Artist’s Dining Room
    is curated by Emma Dexter and Juliet Bingham, Assistant Curator, Tate Modern.






    Powered by ScribeFire.

     
    Posted by Paul Cooklin 1:06 AM



    Photographing Britain - Tate

    How We Are: Photographing Britain

    How We Are Now




    Nancy Hellebrand, Marion in a Bed Sitter July 1974, © Copyright Nancy Hellebrand


    Nancy Hellebrand


    Marion in a Bed Sitter July 1974


    © Copyright Nacy Hellebrand






    22 May - 2 September 2007






    For the first time, Tate Britain is inviting members of the public to contribute to the content of
    an exhibition. How We Are: Photographing Britain takes a unique look at the journey of
    British photography, from the pioneers of the early medium to today’s photographers who use new
    technology to make and display their imagery.



    To submit a photograph to the exhibition, simply join the How We Are Now Flickr group and contribute
    your photograph anytime from 21 May until 25 July 2007. Your photograph must be taken in the United
    Kingdom and illustrate one of the four themes of the exhibition: portrait, landscape, still life
    or documentary. The group's photographs will be displayed on screens as part of the exhibition at
    Tate Britain. The photographs will also be posted and shared on Tate's website and on the website
    of the exhibition's media partner, The Observer.



    In the final weeks of the exhibition, 40 photographs – 10 from each of the four themes – will be
    chosen by Tate to form the final display in the gallery from 6 August – 2 September 2007. A panel
    of curators, artists, photographers and others will select the final 40 photographs. The final 40
    images will also be archived on Tate Online as part of the exhibition's website.







    Powered by ScribeFire.

     
    Posted by Paul Cooklin 1:05 AM



    Photographing Britain - Tate
    How We Are: Photographing Britain22 May - 2 September 2007



    This is the first major exhibition of photography ever to be held at Tate Britain. It takes a unique look at the journey of British photography, from the pioneers of the early medium to today’s photographers who use new technology to make and display their imagery.

    The images in this exhibition have come from the length and breadth of the UK, and include well-known oeuvres alongside mesmerising lost masterpieces. As well as famous names – William Henry Fox Talbot, Lewis Carroll, Julia Margaret Cameron, Bill Brandt, Madame Yevonde, Susan Lipper, David Bailey and Tom Hunter among them – the exhibition includes postcards, family albums, medical photographs, propaganda and social documents. It includes work by many women photographers and photographers from different cultural backgrounds who are usually underplayed in the history of British photography.

    Ultimately, this is a treasure trove for any one who loves photography, and presents the extraordinary variety, breadth and idiosyncratic nature of one-and-a-half centuries of image making.

    For the first time, Tate Britain is inviting members of the public to contribute to the content of an exhibition. How We Are Now invites you to add your photograph to the exhibition through the community and photo-sharing website Flickr.

    Supported by Wallis Annenberg and the Annenberg Foundation through the American Patrons of Tate



    Media partner: The Observer
    Homer Sykes, Caking Night Dungworth Yorkshire 1974, © homer@homersykes.com

    Homer Sykes

    Caking Night Dungworth Yorkshire 1974

    © homer@homersykes.com
    Dan Holdsworth, A Machine for Living: Untitled  1999 © Dan Holdsworth

    Dan Holdsworth

    A Machine for Living: Untitled 1999

    © Dan Holdsworth
    Elaine Constantine Mosh, 1997 © Elaine Constantine

    Elaine Constantine

    Mosh, 1997

    © Elaine Constantine




    Powered by ScribeFire.

     
    Posted by Paul Cooklin 1:02 AM



    _MG_4470 - No manipulation

    _MG_4470, originally uploaded by Paul Cooklin.

    Taken as one of the last shots of the day, I like the shadows on the graves and the sun's intensity.

     
    Posted by Paul Cooklin 12:46 AM